11/43
Starring Graham Norton and guests: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024)
A powerful CEO puts her career and family at risk when she begins a whirlwind romance with her much younger intern. Jean Reno filmed scenes for the film, but they were cut entirely from the finished film. I recently watched Babygirl and I have to say that it is one of the most unique and daring thrillers I have seen in a while.
First, the visuals are stunning
Director Halina Raina’s film delves deep into the complexity of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolff’s cinematography captures the raw emotion of each scene, blending light and shadow to create a strange, almost dreamlike world. There’s a constant sense of tension, as if something explosive is always on the verge of happening, and the pace keeps you on edge at all times.
However, Babygirl is not for everyone
Nicole Kidman gives an incredible performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, while lesser-known, also do a great job of adding depth and unpredictability to the story. Without giving too much away, the film’s exploration of psychological control and subjugation is both disturbing and captivating.
Its erotic elements are tastefully done, but some viewers may find them uncomfortable or contradictory
The story sometimes feels deliberately ambiguous, forcing you to piece together the characters’ motivations, which I found intriguing but may frustrate others. Overall, if you like psychological thrillers that don’t shy away from taboo subjects or push boundaries, Babygirl is definitely worth a watch. It’s irresistible, stylish, and will have you thinking about it long after the checkout is over.
